Selder linseed oil paints remain durable and fine when you prime and paint according to the work manual and perform the simple maintenance measures described there.
We manufacture the paints as zinc based primer, semi-gloss and semi-matt topcoat, white and tinting bases A-, B- and C for tinting with certified and modern pigments.
The paints are applied:
The paints dry in less than 24 hours at 20 °C and good ventilation.
The white paints are packed in 0.5-, 1- and 5 litre tin cans, the primer and the tinting bases in 0.45, 0.9 and 4.5 litre tin cans to leave room for tinting pastes. Where to buy.
Rich, durable and mould resistant
The paints contain a lot of pigment – a brushstroke of paint covers a large area. The viscosity of the colors is nevertheless optimal as the pigment is extremely finely divided.
The binder - linseed oil from which the non-drying ingredients have been removed with our unique refining method – is biologically non-degradable and water-repellent. It penetrates the substrate and dries by a reaction with the oxygen in the air to linoxyn, a natural polymer with excellent adhesion.
Our linseed oil paints penetrate into the surface structure of the substrate, adhere permanently and "breathe", i. e., lets water vapor through but not liquid water. Therefore, condensate does not collect under the paint layer and the paint does not flake off.
Download the work manual in PDF here or read it below.
The Technical Datasheet and the Safety Datasheet for each paint is under the heading ”Datasheets” in the main menu.
SELDER & COMPANY AB
WORK MANUAL FOR LINSEED OIL PAINTS
The work differs significantly both from painting with synthetic paints and with other linseed oil paints. READ CAREFULLY FOR A GOOD RESULT.
First read the summary and then check the parts that are of relevance to you in the TABLE OF CONTENTS below.
Selder's linseed oil paints remain durable and fine practically forever when you prime and paint as described in this work manual and perform the simple maintenance measures described below. The paints are tinted to the desired NCS, RAL and our own colours on modern machines that use our tinting system.
The ordered colour is identical from delivery to delivery.
They can be painted with a brush, sprayer or roller on any surface - from wood to metal.
Water in the substrate and movements in wood due to significant variations in moisture cause the paint to flake off. Make sure that water does not get into the substrate and affects the painted surface from the back. Paint only on a dry substrate, on wood with a maximum moisture content of 12%, i.e., air dry. Impregnate wood that is exposed to water and moisture with Selder PRIMER OIL before painting as described below. Porous substrates are pore-saturated with PRIMER OIL or LINSED VARNISH OIL before priming with LINSEED OIL PAINT PRIMER. Otherwise too much binder is absorbed into the substrate and too little is left in the pigment, the optical properties of the paint change, the colour fades and becomes matte and often blotchy.
First paint a covering but not thick coat of LINSEED OIL PAINT PRIMER, i.e., of 70-120 μm (0.07-0.12 mm) thickness, which results in a consumption of one litre for 8–14 m² per coat depending on the substrate. It adheres particularly well as it is especially greasy, and it prevents the growth of mould, algae and lichens for decades on the finished paint surface as it contains 0.5 kg of zinc oxide / litre. However, it is not as weatherproof as the topcoat paints.
Let the paint dry thoroughly between coats.
The paint dries within 24 hours at 20 °C / 68 °F and good ventilation; dark, clear shades slightly slower.
Wash brushes, tools and utensils with strong soft soap before the paint dries.
Rinse sprayers with white spirit.
WARNING: RISK OF SELF-IGNITION The paint contains oxidizing fatty acids. Cloths and other porous materials moist with paint must be immersed in water without delay. Painted or oil treated surfaces do not ignite spontaneously - the risk only applies to fibrous materials.
TABLE OF CONTENTS
PRE-TREATING THE SUBSTRATE
WHY PRE-TREAT (click to read the chapter)
CLEAN THE SUBSTRATE (click to read the chapter)
SEAL KNOTS AND RESIN POCKETS WITH SHELLAC (click to read the chapter)
SURFACES OF UNTREATED SOFTWOOD AND HARDWOOD IN PROTECTED LOCATIONS (click to read the chapter)
OLD PAINTED SURFACES TO WHICH THE PAINT STILL ADHERES, STUCCO AND CONCRETE (click to read the chapter)
SURFACES FROM WHICH THE PAINT HAS BEEN REMOVED WITH A HOT AIR GUN OR AN IR HEATER (click to read the chapter)
MDF BOARDS, PRESSURE IMPREGNATED WOOD, POROUS ROOFING TILES OF FIBRE CEMENT OR CONCRETE (click to read the chapter)
WOOD IN EXPOSED LOCATIONS OUTDOORS (click to read the chapter)
RUSTED (CORRODED) METAL (click to read the chapter)
GALVANIZED, PLASTIC LAMINATED TIN ROOF (click to read the chapter)
CLEAN METAL (click to read the chapter)
GLASS (click to read the chapter)
PAINT WITH A FINE AND DURABLE RESULT
GENERAL (click to read the chapter)
HALF SHEEN (HM) OR SEMI-GLOSS (HB) TOPCOAT (click to read the chapter)
MIX SO THAT THE PAINT BECOMES HOMOGENOUS (click to read the chapter)
DON’T DILUTE THE PAINT (click to read the chapter)
PAINT CORRECTLY WITH A BRUSH (click to read the chapter)
PAINT SMOOTH SURFACES WITH A FINE RESULT (click to read the chapter)
PAINTING WITH A SPRAYER OR A ROLLER (click to read the chapter)
THE DRYING TIME VARIES (click to read the chapter)
LINSEED OIL PAINT HARDENS SLOWLY AFTER IT HAS DRIED (click to read the chapter)
MAINTENANCE (click to read the chapter)